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diff --git a/poetry/_traducciones/u/un-color-real.txt b/poetry/_traducciones/u/un-color-real.txt index 3630021..c811f35 100644 --- a/poetry/_traducciones/u/un-color-real.txt +++ b/poetry/_traducciones/u/un-color-real.txt @@ -13,7 +13,7 @@ Las paredes de la lavanda, las sábanas de la realeza: solo necesito -que tu estás allá +que tú estás allá para que sea completa. Porque los ojos diff --git a/recs/writing.html b/recs/writing.html index 0bcb5eb..992ba35 100644 --- a/recs/writing.html +++ b/recs/writing.html @@ -186,6 +186,30 @@
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American OriginalityLouise GluckAcademicLibgen.is
If the dog and the garden are not changed permanently by perception, to what end, for what reason, are they watched so carefully? They are watched, I think, because for Kenyon they are all potentially teachers. Her modesty is the modesty of the good student, who sees how shortsighted it would be to cut herself off from resources. There is nothing here of the cloying sycophant. In this system, everything teaches, but not everyone is capable of learning.
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Proofs & TheoriesLouise GluckAcademicHyphanet
And the sting the poet may suffer differs from the risks of more immediate exposure: the ostensibly exposed self, the author, is, by the time of publication, out of range, out of existence, in fact.
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Writing as a Path to Awakening