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<table class="f">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=5F93033AFEF08D18458C59C6AC597C72">Big Magic</a></td>
<td>Elizabeth Gilbert</td>
<td><a href="http://127.0.0.1:8888/CHK@4IkmWUvz~Jb8ShEKpYX7o6didH7zFT6jZnvq0Mvs~7A,p-qYgkKAhC~KxEdbWEPqSx2FAmg5vPS64Kz0zsrcw7M,AAMC--8/Big%20Magic%20-%20Elizabeth%20Gilbert.epub">Elizabeth Gilbert</a></td>
<td>Casual</td>
</tr>
<tr>
@ -86,7 +86,7 @@
<table class="f">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=446A90E9FCFF34286866A460FECBA860">Your Art Will Save Your Life</a></td>
<td>Beth Pickens</td>
<td><a href="http://127.0.0.1:8888/CHK@IWSylbFj5AFc1Ed6cTWFKKOCTyMbXWDkUAVci0PcHlQ,6mqC4hTUgvhn3JgB1kWY0ArUQJOJhLImf6e0mWAMfLY,AAMC--8/Your%20Art%20Will%20Save%20Your%20Life%20-%20Beth%20Pickens.epub">Beth Pickens</a></td>
<td>Casual</td>
</tr>
<tr>
@ -97,7 +97,7 @@
<table class="f">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=5EA5D2EA2A53ABAC8DE7B5268D293C8C">For Writers Only</a></td>
<td>Sophy Burnham</td>
<td><a href="http://127.0.0.1:8888/CHK@2hdvBW06NU39zKBWB7sARXEdhrsv04pWCgTXmHQCyyU,FemTR8ryl2q9U3Lx18TIpJcBDPmvuzhU9k6ckH5ktK8,AAMC--8/For%20Writers%20Only%20-%20Sophy%20Burnham.epub">Sophy Burnham</a></td>
<td>Casual</td>
</tr>
<tr>
@ -108,7 +108,7 @@
<table class="f">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=E403628CE37F7542A9EFD5BB7B9E98DB">A Poetry Handbook</a></td>
<td>Mary Oliver</td>
<td><a href="http://127.0.0.1:8888/CHK@CcBDbpYJVW5~ToT7bXRu4rOsXJ6liojz-hL2720VgNs,ig2NmutQaoNGIf8RuD1qwaXQzZ-xjmfZKvlVbzUvCr4,AAMC--8/A%20Poetry%20Handbook%20-%20Mary%20Oliver.epub">Mary Oliver</a></td>
<td>Casual</td>
</tr>
<tr>
@ -119,7 +119,7 @@
<table class="f">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=F8D7A0C7A21CB8AECAB6AB72FAEC120E">A Writer's Guide to Characterization</a></td>
<td>Victoria Lynn Schmidt</td>
<td><a href="http://127.0.0.1:8888/CHK@BvVLFdXee0d9SDj8p1WK8Clp2pTQBtd1easjbXgA2oc,X2yiEZ2tBFgOJst4k75Ep4-VYF9HZ4RbORxzQDcoTXI,AAMC--8/A%20Writer%27s%20Guide%20to%20Characterization_%20Arch%20-%20Victoria%20Lynn%20Schmidt.epub">Victoria Lynn Schmidt</a></td>
<td>Casual</td>
</tr>
<tr>
@ -130,7 +130,7 @@
<table class="f">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=F899E05C9173319953201E106915D231">So You Want to Write</a></td>
<td>Marge Piercy</td>
<td><a href="http://127.0.0.1:8888/CHK@s3QOm52cCwcmNKVoC1vq6VcXu92PzjxAm0i~mfAva14,ONmSBxst602551eTWiTLE-uwZKB5KUvblgcWjxvfAHw,AAMC--8/So%20You%20Want%20to%20Write%20-%20Marge%20Piercy.epub">Marge Piercy</a></td>
<td>Casual</td>
</tr>
<tr>
@ -141,7 +141,7 @@
<table class="f">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=24D2A5E1AA5546D3F8A0377CB587DC55">Steering the Craft</a></td>
<td>Ursula K. Le Guin</td>
<td><a href="http://127.0.0.1:8888/CHK@4eH-4pPrj6SvuqHsTj2G9hAYJTCVYRmLKOaLzReXQ1s,RS2Gr-crBOvGP9GsJc48Q-MPbqVGDCd7pf9LcaD3yy0,AAMC--8/Steering%20the%20Craft_%20A%20Twenty-First%20Century%20-%20Ursula%20K.%20le%20Guin.epub">Ursula K. Le Guin</a></td>
<td>Casual</td>
</tr>
<tr>
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</tr>
</table>
<br>
<table class="f">
<tr class="info">
<td>How to Suppress Women's Writing</td>
<td><a href="http://127.0.0.1:8888/CHK@PWMTYwKE8bcmtCikF6-o8-ljZBjkYB~AcbbD0P1Ahx0,BIwXQ9P2gY90OqNieaY3-krQXz1yczHLpGq1L3Xp--M,AAMC--8/How%20to%20Suppress%20Women%27s%20Writing%20-%20Joanna%20Russ.pdf">Joanna Russ</a></td>
<td>Academic</td>
</tr>
<tr>
<td class="snippet">. I realized the world, everyone in it practically, will give more and more responsibitity to any woman who will continue to accept it. And when the other responsibilities are too great, her responsibility to herself must go. Or she has to take a thoroughly selfish position and refuse the world, and then accept whatever guilt there is.</td>
</tr>
</table>
<br>
<table class="f">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=5F2CFFF9FF2F92E4057047213FFBB960">45 Master Characters</a></td>
<td>Victoria Lynn Schmidt</td>
<td><a href="http://127.0.0.1:8888/CHK@7gZoMCuZqaFzgRY-H9c1kzYL9AlfHFjYBAo188JvlI8,~Qp5qIDpJQY9hsI9l4S8z9ErJHTRl9UXLeM20W-fE3Q,AAMC--8/45%20Master%20Characters%20-%20Victoria%20Schmidt.epub">Victoria Lynn Schmidt</a></td>
<td>Casual</td>
</tr>
<tr>
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<table class="f">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=2E622FC13A3FD65211A91B28E32CC509">Mastering Suspense, Structure, and Plot</a></td>
<td>Jane Cleland</td>
<td><a href="http://127.0.0.1:8888/CHK@ozqB-88vRBUaEgPg9PKexNLRkrtaC6~pKbpGccRZ9~0,Mj8Q78xlkisoKv7FA7Snh2zyRVqHRCocNx7YSz3g-4A,AAMC--8/Mastering%20Suspense%2C%20Structure%2C%20and%20Plot_%20H%20-%20Jane%20Cleland.epub">Jane Cleland</a></td>
<td>Casual</td>
</tr>
<tr>
@ -174,7 +185,7 @@
<table class="f">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=C0330F32DCF048481F1E0737D88B0D49">American Originality</a></td>
<td>Louise Gluck</td>
<td><a href="http://127.0.0.1:8888/CHK@gb99IwRsekaSiU8QjxC15qbZCTvTRczcMQTKxr-aVAw,Lqoc02zklPA~g2-ajAYRyv~70lt4Z9wwBguUTsCxyLg,AAMC--8/American%20Originality_%20Essays%20on%20Poetry%20-%20Louise%20Gluck.epub">Louise Gluck</a></td>
<td>Academic</td>
</tr>
<tr>
@ -193,10 +204,21 @@
</tr>
</table>
<br>
<table class="f">
<tr class="info">
<td>Write On, Sisters!</td>
<td>Brooke Warner</td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">...all women react to men's energy - and they do so in very different ways. Some women get more assertive, some more submissive. Some try to impress, while others seem to fall into unconscious gender roles or want to blend in to the wallpaper. In my experience, removing the male element seems to create a more neutral field, and often, as a result, women are willing and able to go deeper and get more personal than they otherwise would.</td>
</tr>
</table>
<br>
<table class="m">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=1CBEAC76AF2A18DD01E8BE4B02D4A70C">Writing as a Path to Awakening</a></td>
<td>Albert DeSilver</td>
<td><a href="http://127.0.0.1:8888/CHK@hWvhIL7VVBcR4ESKbyTtstAtsOvMfWygWi5zNw8zadA,SjXPxgSyTnYDDCkJEgFSPcDw4dxkge-UXe4IhX2H10I,AAMC--8/Writing%20as%20a%20Path%20to%20Awakening_%20A%20Year%20to%20-%20Albert%20DeSilver.epub">Albert DeSilver</a></td>
<td>Casual</td>
</tr>
<tr>
@ -207,7 +229,7 @@
<table class="m">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=A4C82A657D78190B3C724CE64067BECC">No Plot? No Problem!</a></td>
<td>Chris Baty</td>
<td><a href="http://127.0.0.1:8888/freenet:CHK@NEgzIsssAgG5ju8VaVpNynvRSlVlxDnh6LjJkI3I3ZA,qLqxdHtAe0ohQCihwcfQMvDbNx21MQVVishCMQ4S8lc,AAMC--8/No%20Plot_%20No%20Problem%21_%20A%20Low-Stress%2C%20High-V%20-%20Chris%20Baty.epub">Chris Baty</a></td>
<td>Casual</td>
</tr>
<tr>
@ -258,6 +280,17 @@
<td class="snippet">But sometimes I worry that the power of fiction is the power of conflict, not the power of harmony; that the driving force in fiction is things at odds, not the incredible interdependence seen in nature, as one sinks deeper and deeper into it. I worry that my mind might turn to mush with regard to fiction—that I might lose the edge of conflict and dissent, and the love of it - from loving nature.</td>
</tr>
</table>
<br>
<table class="m">
<tr class="info">
<td>The Point of Poetry</td>
<td>Joe Nutt</td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">A canvas a chimpanzee has thrown paint at can sell for thousands. I'm still waiting for one to spell 'eek!'</td>
</tr>
</table>
</body>
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