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</tr>
</table>
<br>
<table class="m">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=1CBEAC76AF2A18DD01E8BE4B02D4A70C">Writing as a Path to Awakening</a></td>
<td><a href="http://127.0.0.1:8888/CHK@hWvhIL7VVBcR4ESKbyTtstAtsOvMfWygWi5zNw8zadA,SjXPxgSyTnYDDCkJEgFSPcDw4dxkge-UXe4IhX2H10I,AAMC--8/Writing%20as%20a%20Path%20to%20Awakening_%20A%20Year%20to%20-%20Albert%20DeSilver.epub">Albert DeSilver</a></td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">Pablo Picasso reportedly said, "Good artists copy; great artists steal." Twentieth-century poet and essayist T.S. Eliot expands on that for poets (and all writers) when he writes, "Immature poets imitate; mature poets steal."</td>
</tr>
</table>
<br>
<table class="m">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=A4C82A657D78190B3C724CE64067BECC">No Plot? No Problem!</a></td>
<td><a href="http://127.0.0.1:8888/freenet:CHK@NEgzIsssAgG5ju8VaVpNynvRSlVlxDnh6LjJkI3I3ZA,qLqxdHtAe0ohQCihwcfQMvDbNx21MQVVishCMQ4S8lc,AAMC--8/No%20Plot_%20No%20Problem%21_%20A%20Low-Stress%2C%20High-V%20-%20Chris%20Baty.epub">Chris Baty</a></td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">As literature, they were ugly as sin. As experiments, though, they were packed with a useful array of wrong turns, misguided decisions, and shameful flops. From those experiments, I discovered copious amounts about what I shouldn't be writing. This allowed me to spend my subsequent novels in the happy pursuit of what I should.</td>
</tr>
</table>
<br>
<table class="m">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=67ACCEB9443D3AC09C94E873A1899613">How to Haiku</a></td>
<td>Bruce Ross</td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">Your feeling in haiku should be pure and sincere. Therefore you should <i>avoid sentimentality</i>. The haiku should not reflect what we think we should be feeling or what others have told us we should be feeling.</td>
</tr>
</table>
<br>
<table class="m">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=34B3D6539F2913D7C572B5D70864CBAA">Being True to Life</a></td>
<td>David Richo</td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">We can see our inner life as a playroom in which every energy and archetype of humanity can find camaraderie and even amusement. Once we let go of the importance of like and dislike, we begin to include all the selves that we are, each depending on the causes and conditions around us. We let go of the idea of a single self at the controls, and our true identity reveals itself to be an amphictyony, a word referring to a group of states that cooperate, especially in the care of temples and shrines. Our true presence is indeed a sacred marriage.</td>
</tr>
</table>
<br>
<table class="m">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=4FAAEB61B249169F2081B88BE72C35FD">The Triggering Town</a></td>
<td>Richard Hugo</td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">A poem can be said to have two subjects, the initiating or triggering subject, which starts the poem or "causes" the poem to be written, and the real or generated subject, which the poem comes to say or mean, and which is generated or discovered in the poem during the writing.</td>
</tr>
</table>
<br>
<table class="m">
<tr class="info">
<td>Views From The Loft</td>
<td>Daniel Slager</td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">But sometimes I worry that the power of fiction is the power of conflict, not the power of harmony; that the driving force in fiction is things at odds, not the incredible interdependence seen in nature, as one sinks deeper and deeper into it. I worry that my mind might turn to mush with regard to fiction—that I might lose the edge of conflict and dissent, and the love of it - from loving nature.</td>
</tr>
</table>
<br>
<table class="m">
<tr class="info">
<td>The Point of Poetry</td>
<td>Joe Nutt</td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">A canvas a chimpanzee has thrown paint at can sell for thousands. I'm still waiting for one to spell 'eek!'</td>
</tr>
</table>
<p><a class="button" href="#moids">&gt; Show books by men too?</a></p>
<div id="moids">
<p><a class="button" href="#">&gt; Aahh! Never mind!</a></p>
<table class="m">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=1CBEAC76AF2A18DD01E8BE4B02D4A70C">Writing as a Path to Awakening</a></td>
<td><a href="http://127.0.0.1:8888/CHK@hWvhIL7VVBcR4ESKbyTtstAtsOvMfWygWi5zNw8zadA,SjXPxgSyTnYDDCkJEgFSPcDw4dxkge-UXe4IhX2H10I,AAMC--8/Writing%20as%20a%20Path%20to%20Awakening_%20A%20Year%20to%20-%20Albert%20DeSilver.epub">Albert DeSilver</a></td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">Pablo Picasso reportedly said, "Good artists copy; great artists steal." Twentieth-century poet and essayist T.S. Eliot expands on that for poets (and all writers) when he writes, "Immature poets imitate; mature poets steal."</td>
</tr>
</table>
<br>
<table class="m">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=A4C82A657D78190B3C724CE64067BECC">No Plot? No Problem!</a></td>
<td><a href="http://127.0.0.1:8888/freenet:CHK@NEgzIsssAgG5ju8VaVpNynvRSlVlxDnh6LjJkI3I3ZA,qLqxdHtAe0ohQCihwcfQMvDbNx21MQVVishCMQ4S8lc,AAMC--8/No%20Plot_%20No%20Problem%21_%20A%20Low-Stress%2C%20High-V%20-%20Chris%20Baty.epub">Chris Baty</a></td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">As literature, they were ugly as sin. As experiments, though, they were packed with a useful array of wrong turns, misguided decisions, and shameful flops. From those experiments, I discovered copious amounts about what I shouldn't be writing. This allowed me to spend my subsequent novels in the happy pursuit of what I should.</td>
</tr>
</table>
<br>
<table class="m">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=67ACCEB9443D3AC09C94E873A1899613">How to Haiku</a></td>
<td>Bruce Ross</td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">Your feeling in haiku should be pure and sincere. Therefore you should <i>avoid sentimentality</i>. The haiku should not reflect what we think we should be feeling or what others have told us we should be feeling.</td>
</tr>
</table>
<br>
<table class="m">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=34B3D6539F2913D7C572B5D70864CBAA">Being True to Life</a></td>
<td>David Richo</td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">We can see our inner life as a playroom in which every energy and archetype of humanity can find camaraderie and even amusement. Once we let go of the importance of like and dislike, we begin to include all the selves that we are, each depending on the causes and conditions around us. We let go of the idea of a single self at the controls, and our true identity reveals itself to be an amphictyony, a word referring to a group of states that cooperate, especially in the care of temples and shrines. Our true presence is indeed a sacred marriage.</td>
</tr>
</table>
<br>
<table class="m">
<tr class="info">
<td><a href="https://libgen.is/book/index.php?md5=4FAAEB61B249169F2081B88BE72C35FD">The Triggering Town</a></td>
<td>Richard Hugo</td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">A poem can be said to have two subjects, the initiating or triggering subject, which starts the poem or "causes" the poem to be written, and the real or generated subject, which the poem comes to say or mean, and which is generated or discovered in the poem during the writing.</td>
</tr>
</table>
<br>
<table class="m">
<tr class="info">
<td>Views From The Loft</td>
<td>Daniel Slager</td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">But sometimes I worry that the power of fiction is the power of conflict, not the power of harmony; that the driving force in fiction is things at odds, not the incredible interdependence seen in nature, as one sinks deeper and deeper into it. I worry that my mind might turn to mush with regard to fiction—that I might lose the edge of conflict and dissent, and the love of it - from loving nature.</td>
</tr>
</table>
<br>
<table class="m">
<tr class="info">
<td>The Point of Poetry</td>
<td>Joe Nutt</td>
<td>Casual</td>
</tr>
<tr>
<td class="snippet">A canvas a chimpanzee has thrown paint at can sell for thousands. I'm still waiting for one to spell 'eek!'</td>
</tr>
</table>
</div>
</body>
</html>